Nina Laurin’s enthralling debut, Girl Last Seen, comes out today and I had the excellent luck of being able to read an advance copy. Most of the time, my Book Addiction posts have a focus on amazing historical fiction, but I’m diversifying this time because I’ve been reading a lot of suspense lately and Girl Last Seen is utterly compelling and highly recommended.
Laine, the novel’s vulnerable but determined protagonist, struggles to cope with her past abduction, a crime that has never been solved. Now, thirteen years later, a second girl goes missing, one who could be the image of Lainey at age ten. Dark and full of serpentine twists, Girl Last Seen is an addictive books that makes for such captivating reading that you might find yourself still turning pages when you should be cooking dinner, or looking up from the book and realizing that it’s suddenly past midnight. (Full disclosure: both of those things happened to me).
Nina has kindly agreed to an interview on my blog, making this an extra special post. Welcome, Nina!
What was your inspiration for Girl Last Seen?
I was researching some true crime for another story and fell down the Wikipedia rabbit hole. I came across a particularly chilling story of a true crime that just stuck with me. I may have read too much about it, because I had actual nightmares for a couple of days. I can’t give you the link, because it would in itself be a spoiler. But some time later, the main character of GIRL LAST SEEN just appeared in my mind, and I simply had to tell her story.
Did you face any unexpected challenges or pleasant surprises while working on the novel?
It was the manuscript that made me realize psychological suspense was my genre! At the end of 2014, I was facing a crossroads that no writer wants to face. I had broken up with my previous agent that summer and was disheartened by constant rejection, which made me question whether I was writing the right books—and whether I was really meant to be a writer at all. I don’t know what exactly possessed me, but I took out the first version of what would become GIRL LAST SEEN and started to overhaul it. To my surprise, it took off! And then I was writing the scene at the abandoned house where Laine is being stalked in the dark, and after a very long writing slump, I felt the energy come back into my fingertips. I felt like a writer again. I felt like I could write something good.
What was your favourite scene to write?
The scene at the abandoned house that I mentioned above, but also, the finale. It was breathtaking to write! I’m usually terrible at writing action and fighting scenes, but by then, I was invested in Laine and what happened to her. So writing that final showdown, where she faces her demons for the first time in ten years, was also heartbreaking in a way. And I think it gave the action sequence the super-high emotional stakes that made it easy to write.
What’s your writing process like? Do you have a strict schedule or can you write anywhere, anytime?
It depends on the project. I wrote the first draft of GIRL LAST SEEN in a couple of months, but the second and third drafts took a little more time and a little more discipline. It wasn’t about getting the words out anymore—it was about making them make sense. Which is (I think most writers will agree with me) a lot more difficult. Sometimes the writing flows, and other times, I have to force myself to get behind my desk (or motivate myself with chocolate… or bacon).
If you could pair your book with any reading snack or drink, what would you suggest?
Milk oolong tea (that’s a tea that tastes faintly creamy, not tea with milk in it—I’m sure some people like that, and that’s their business…) and dark, dark, dark chocolate. Together.
Stay updated on Nina’s book news:
From the book jacket:
Two missing girls. Thirteen years apart.
Olivia Shaw has been missing since last Tuesday. She was last seen outside the entrance of her elementary school in Hunts Point wearing a white spring jacket, blue jeans, and pink boots.
I force myself to look at the face in the photo, into her slightly smudged features, and I can’t bring myself to move. Olivia Shaw could be my mirror image, rewound to thirteen years ago.
If you have any knowledge of Olivia Shaw’s whereabouts or any relevant information, please contact…
I’ve spent a long time peering into the faces of girls on missing posters, wondering which one replaced me in that basement. But they were never quite the right age, the right look, the right circumstances. Until Olivia Shaw, missing for one week tomorrow.
Whoever stole me was never found. But since I was taken, there hasn’t been another girl.
And now there is.
Nina Laurin is a bilingual (English/French) author of suspenseful stories for both adults and young adults. She got her BA in Creative Writing at Concordia University, in her hometown of Montreal, Canada.